Lady Macbeth

In this gothic, barbaric tale, there are themes of female victimization, male attempts to suppress women, and unrepressed rebellion.

R | 1h 29min | Drama | 14 July 2017 (USA)

In 19th-century rural England, a young bride who has been sold into marriage discovers an unstoppable desire within herself as she enters into an affair with a worker on her estate.
Director: William Oldroyd
Writers: Nikolai Leskov (based on Lady Macbeth of Mtsensk), Alice Birch
Stars: Florence Pugh, Cosmo Jarvis, Paul Hilton

The woman is the thing in this one. I loved her audaciousness and almost animal survival techniques in a stodgy English arranged marriage. I couldn’t help but think about just how bad women had it back then. In this case, she was sold into marriage with a man who didn’t love her. Florence Pugh is the actresses name and I was amazed watching her performance in this. It was electrifying.

The director is William Oldroyd. I don’t recognize any of his titles. This may be why this film is so banal and raw, and all the while, successfully so. Perhaps he hasn’t succumbed to the trappings or ordinary Hollywood treatments. He has made a unique period piece here.

The actors are all new names. I have to repeat that Lady Macbeth was completely shocking and alluring. You’ve never seen a 19-century rural wife behave this way and it’s glorious.

I recommend this to fans of the genre. It isn’t a “feel good” film like Pride and Prejudice but romance fans will be happy with it on one level. It is a very dark film but I found the ending wholly satisfying. I can’t think of any way to improve this film, it’s a perfect and complete message to its viewers, storytelling at its highest.

10/10

The Bad Batch

I liked the way this one got right to the violence. It adds to the story and makes the film a powerful piece.

R | 1h 58min | Drama, Horror, Romance | 23 June 2017 (USA)

A love story set in a community of cannibals in a future dystopia. In a desert wasteland in Texas, a muscled cannibal breaks one important rule: don’t play with your food.
Director: Ana Lily Amirpour
Writer: Ana Lily Amirpour
Stars: Suki Waterhouse, Jason Momoa, Jayda Fink

The avant garde director here is Ana Lily Amirpour. You may have seen A Girl Walks Home at Night which was also her. She takes risks and causes the viewer to go on a journey. This is always a great thing for a director to do. This film is not made according to norms. It’s a film that breaks just about every rule for a movie of its subject and type. Amirpour has achieved much with this film. It’s worth seeing and I recommend it wholeheartedly to you. Last I looked it was streaming on Netflix, if you have that.

The acting caliber shocked me. This film looked in the ads to be a small scale, risky, violent film but I was wrong. It has the talent on board to do some mainstream damage. I’m speaking of Suki Waterhouse, Jason Momoa, Jayda Fink, and Jim Carrey (yes I said Jim Carrey).

Empowerment films like this are so much fun to watch. I won’t spoil the plot but rather encourage you to see it and then leave me a comment. I’d love to start a dialog on this film there. Some scenes were a little long and felt unnecessary but all of it worked to the over goal of making a brutal place into a love story.

The desert wasteland/apocalypse alone is worth going to see but the story is awesome too.

9/10

The Island (2005)

Fans of Michael Bay’s Transformer films will be happy about this one. Plus there’s an added bonus of a deeper question about human organ harvesting.

The Island (2005)
PG-13 | 2h 16min | Action, Adventure, Romance | 22 July 2005 (USA)

A man living in a futuristic sterile colony begins to question his circumscribed existence when his friend is chosen to go to the Island, the last uncontaminated place on earth.
Director: Michael Bay
Writers: Caspian Tredwell-Owen (screenplay), Alex Kurtzman (screenplay) | 2 more credits »
Stars: Scarlett Johansson, Ewan McGregor, Djimon Hounsou

Michael Bay directed this little gem of a film. As a result, there are some sparkling visuals and truly exciting chase scenes. He obviously spared no expense in the special effects. Just like the Transformers films, there is metal and glass flying all different ways. The stunts are utterly fantastic. But this isn’t a Transformers movie. It has a deeper level to it. It’s a story about what might happen if people were born and raised to be harvested for organs.

The main actors here are Ewan MacGregor and Scarlett Johanssen. Both do an amazing job playing these people who are born and raised to have their organs harvested. The story evolves and adds much detail beyond that but you have the basic premise. There are lots of futuristic settings and scenes which is exciting. It’s a sci-fi film in addition to action, drama, thriller, and suspense. I think it’s safe to say there is a lot of good here. Unfortunately the film stays an action film and never really gets deep into what is happening in the organ harvesting. There is no back story and I kept wondering why the public would allow such a thing.

Action and sci-fi fans will still entertained by this movie. The deep premise makes you think and provides the backdrop for an awesome movie. be highly

8/10

Long Nights Short Mornings (2016)

Some young men can’t wait until they’re old enough to go out drinking and all the wayward women that supposedly go along with it.

Long Nights Short Mornings (2016)
1h 40min | Drama, Romance | 24 January 2017 (USA)

An examination of the romantic life of a young man in New York City and his sometimes fleeting, sometimes profound experiences with the women he encounters.
Director: Chadd Harbold
Writer: Chadd Harbold
Stars: Shiloh Fernandez, Ella Rae Peck, Paten Hughes

Upon first look, this seems like a romantic comedy, a fling of a playboy with several women. As you get deeper into it though you see this is not a nice guy. Women are like stepping stones into the nothing that is his ever elusive future. Director Chadd Harbold seems interested in manhood and what it’s all about. By the way, he is also writer and producer on this. I saw this film because it was on Netflix. I am not sure it was ever in a theater.

The protagonist is a hot guy and I think a lot of women would love to go out with him. When he’s done with them, he’ll do whatever he can to push them away. It’s that behavior that makes it interesting to me. I kept wondering what he would do as he went to the next one again and again and so on and so on. Frankly, that was never my life. I was never devastatingly handsome and able to string women along. I found this film a little dull and hard to relate with I guess for that reason. I learned when you love someone you should hold on. I’m not sure what the message of this film is.

4/10

Say Anything

Almost every movie can be defined as a mythic journey, even a teen love story like “Say Anything.” John Cusack is in love with a rich girl and he barely has enough money for the gas in his car. The movie becomes a journey from “dork” status to royalty when he finally wins her over.

Say Anything
Cast

John Cusack, Ione Skye, John Mahoney

Directed by

Cameron Crowe

Written by

Cameron Crowe

Other Info

Comedy, Drama, Romance
Rated PG-13
100min
Riley’s Rating:

These are some really funny bits in this film. One I really like is when his friend is  playing 100 songs she has written for her unrequited boyfriend “Joe.” At one point she is in a bedroom at a party when people are drinking beer and listening to her sing these “odes to Joe.” One song lyric she sings is simply, “Joe lies … When he cries.” Please make sure you don’t leave the room and miss that scene.

Anyone who wasn’t sure what to do with their life after high school will certainly relate. John Cusack is the poor dude caught up in his passion for kickboxing. He gets caught up with a rich, smart girl: Diane Court. He tries to woo her but just for a date much to Diane’s father’s disapproval. It’s a common story but this one gives hope to the poor guy, this underdog.

What ensues in “Say Anything” is a heroic journey. John Cusack starts out a bit of a simpleton but ends up the victor. He wins the hand of the suburban maiden, played by Ione Skye. Many “best of” lists on the internet rank “Say Anything” near the top. It’s a lie story and a comedy about graduating seniors but the entertainment value is certainly suited to about age 14-?

Son of a Gun

If you want to see Ewan Macgregor whoop some ass, you’ve come to the right place. If you want to see him steal some gold, you’ll get a twofer here. This movie was entertaining credits to credits.

sonofagunposter

Son of a Gun (2014)
Cast

Ewan McGregor as Brendan Lynch
Brenton Thwaites as Jesse Ryan “JR” White
Alicia Vikander as Tasha
Jacek Koman as Sam
Matt Nable as Sterlo
Tom Budge as Josh
Nash Edgerton as Chris
Damon Herriman as Wilson

Directed by

Julius Avery

Written by

Julius Avery

Other Info

Crime, Thriller
Rated R
1h 50min

There is so much going on in this film other than robbing gold. Still, I kept getting excited about the scenes where gold was involved. There’s something primal about that I think. What child hasn’t wondered what a gold bar is worth? What movie watcher hasn’t wanted to hold one. That may be why the director chose it.

My one issue with this move is that entirely too much is going on. In the prison scenes, the guards are all victims. Much of the cast’s background is only scantily explained. For this reason, it lost a star with me which doesn’t mean I disliked it, just that it could have been better.

We get to see Ewan MacGregor kick ass. He may become the next Liam Neeson after this one. He never struck me as a tough or even large man but when he steps on screen he commands the rooms, the fights, and all things in his way. This level is the best one to defend this movie on. MacGregor has never been better in a thrill I have seen him in. You could be perfectly justified going to see it on that aspect alone.

This film tells a story that involves jail, but it’s not a jail film. There’s a girl but not much romance per se. There’s a grand elaborate scheme but you don’t get too many details, and as I said earlier there is the gold. Just a little more backstory on the some of the characters would have helped.

I’m beginning to think gore in crime thriller is becoming required by the studios. There is a lot of blood and gross scenes. I’m waiting for the crime thriller that doesn’t lean on blod and guts unmercifully to tell a thrilling story about crime. Having said that, this is a really fun film and it contains many of the modern conventional approaches to ts genre. Ewan Macgregor is excellent and really commands the screen. I recommend this movie highly.

Breaking Away (1979)

Grazie for this film! In a raw spirit of the late 70’s this film inspires and entertains and brings out the humanity in me. This is a “go to” film and will be until the day I die. A masterpiece you might say.

Known for An Innocent Man, Krull and Steve McQueen’s Bullitt, Peter Yates is the accomplished director who brought this vision to life. It’s college/career coming of age film with a gritty passion not seen much in the genre.

Dennis Christopher is pure oxygen as “Dave.” His plight is the plight of every young man in American between the ages of 16 and 20. I was right there with him. Hormones make you want to hump every girl you see and explore a new universe apart from what your parents have made for you at home. He’s a guy who’s ready to take on the world but the world won’t let him yet. There is a cast of thousands besides him including: Dennis Quaid, Daniel Stern, Jackie Earle Haley, Jackie Earle Haley Barbara Barrie, and Paul Dooley. They are ALL in top form in telling this story and MY how young the all look in 1979.

This film is the story of Dave and his friends just out of high school with nowhere to go. Their dads were “cutters” of concrete. They feel trapped in the identity. The film is about Dave finding himself. He pretends to be Italian to get girls and portray a more preferable identity. He also races a bike. Two strategic races make a metaphor for the content the film seeks to get across. Who are you when you’re young and who can you be when you choose to break away from assigned identity.

The italian classical music in this is uplifting. Dave is one of my favorite young men filled with angst in film as well as all literature. He is remarkable to watch. I feel like he is me, at that age anyway. The bike racing, the gang of guy friends stuff, the tension from his father to get out of the house, it’s all beautiful like a rainbow landing on ones face. I can’t say enough good about this film.

FINAL THOUGHTS
This film transcends time. It’s principles and contexts are so primal and universal to growing up and finding ones way in the world that it is truly timeless. I recommend to any and all, this is a remarkable “perfect” film like only a few others I have run across.

10/10

A Ghost Story (2017)

A Ghost Story (2017)
R | 1h 32min | Drama, Fantasy, Romance | 27 July 2017 (Australia)

https://podomatic.com/embed/html5/episode/8569535?autoplay=false
In this singular exploration of legacy, love, loss, and the enormity of existence, a recently deceased, white-sheeted ghost returns to his suburban home to try to reconnect with his bereft wife.
Director: David Lowery
Writer: David Lowery
Stars: Casey Affleck, Rooney Mara, McColm Cephas Jr.

When I look at David Lowery’s directing record, it isn’t saying much that he did the remake/reboot of Pete’s Dragon. The original was in fact my favorite movie and in fact the first film that ignited my desire to be a critic. Star Wars (2017) would be the next one. I am no fan of the Pete’s Dragon reboot but as I understand a lot of other people are so I’ll give Lowery a break there. He also did Aint Them Bodies Saints which I haven’t yet seen but have read much critical acclaim for. This film, A Ghost Story (1977) is a slow film that likely took pounds and pounds of muscle to make. Ironic I would say. It takes a big risk painting a simple picture. How many directors can say they had a strong visual idea and saw it through to completion without any nonsense added? For that I tip my hat to him. In that respect it s a rarity. The production company A24 made the film which is in keeping with their “big but simple” ideas for film. One example that comes to mind is It Comes at Night (2017).

The two actors are excellent, no need to say anything critical about either of them. Besides, there isn’t much dialog here. There is a scene where Rooney Mara eats a pie for 5 minutes (or more) and the Casey Affleck ghost watches. So there you are for the description of the actors.

I think this film brings up questions of eternity and hauntings but it is never for one instant scary in any way. I think Ghost with Demi Moore and Patrick Swayze did this concept better but you be the judge. This film for me is the thought of a spooky, thoughtful image being displayed the full length of a movie for “open-ended” effect. It is pretty cool for about an hour. After that, it really got boring for me. Kudos to Lowery for trying, there just isn’t enough here to justify the cost of a drama, or romance ticket. And Mr. Lowery, you would probably admit, you never claimed it to be a horror. It is nevertheless a beautiful almost still picture. and some will enjoy that.

6/10

Seventh Son

“Seventh Son” is a masterpiece replete with witches, dragons, shape shifters, “spooks,” creatures, and other engaging remnants from medieval mythology.

Seventh_Son_Poster

Seventh Son (2014)
Cast

Jeff Bridges as Master Gregory
Ben Barnes as Tom Ward
Julianne Moore as Mother Malkin

Directed by

Sergei Bodrov

Written by

Charles Leavitt, Steven Knight

Other Info

Action, Adventure, Fantasy
Rated PG-13
1h 24min

Can witches save the day? I suppose in “Seventh Son” they can try. Our age-old fascination with witches is shown on the big screen here. There is a new concept I hadn’t heard of called the “spook” profession. These are basically witch hunters. They are endowed and recruited through generations to destroy bad witches. Jeff Bridges is a powerful one. Ironically we find he once had a romance with a witch but he is evermore hateful of witches and his occupation is to burn them so they don’t cause cataclysmic trouble.

And so we have the backdrop for this epic tale. It’s more sorcery than good and evil. We learn that sometimes good witches watch over the land as other times, evil humans do more hard than any evil witch could ever do. This story line requires your full attention so if you’re a “multitasker” as you watch films, you’ll need to set your phone down and take in the foundation of the story which are very interesting indeed.

Like so many movies these days, it is based on a book. I can’t imagine a book being as visually stunning as this film is. I felt like I was on a swashbuckling roller coaster most the time. The effects didn’t come cheap, the film cost almost 100 million dollars to make. The good news for them is that it did well at the box office earning well above and beyond its costs. I gave this quasi-medieval action, adventure, fantasy a perfect 5 stars. I recommend it!

My Big Fat Greek Wedding 2

“Pull my neck back, I’ll pull yours.” -relatives posing for a photo

Sequels are rarely good and this one isn’t good at all. Written by comic, Nia Vardalos, it shows a definite need for a writing partner or team. It’s a redo of the gags from the first movie with no real “new” message for the audience. I was shocked to see this film was produced by Tom Hanks. I suppose he thought it would make him money based on the first film in the franchise. I wonder if he visited the set and offerred his advice to the director.

My Big Fat Greek Wedding 2 (2016)
Cast
Nia Vardalos

as Toula

John Corbett

as Ian

Michael Constantine

as Gus

Directed by
Kirk Jones
Written by
Nia Vardalos
Other Info

Comedy, Romance
Rated PG-13
94 min

The best part of a good date movie is one that makes your wife or girlfriend laugh. There is nothing more satisfying on a movie date than hearing her laugh out loud. There were just a few ties in this film I heard my wife laugh: so there you go. In the first movie, the Greek father showed how Windex was a cure for everything but even Windex can’t save this long movie.

It’s about another wedding but this time it’s her parents. They find out the wedding was never fully sealed since the priest was not fully ordained, or something like that. There are a lot of significant particulars in this movie that I just didn’t care about. The script goes all over the place and when it seems it’s too far afield, they just crack a joke from the first move assuming that will save the scene. It doesn’t.

I never walk out on a movie but when the old mother and father were planning their wedding it really was like fingernails scratching down a chalkboard: irritating. There were a few gags here and there that worked but overall it was a mediocre comedy moving at a snails pace. The angle of having the parents remarry could have been expanded thus making the movie better. Unfortunately the directors were content to show that Greek women do best married with children. It’s also shown that Greek men rely on their wives for too much and nothing really changes even now in modern times. There were a few laughs and it was a light-hearted movie. That only took me as far as to give it 2 stars though. I wouldn’t recommend this film unless you are just in love with the actors. It lacks the charm of the first film in the franchise.