Riley on Film

This film plays on the note of us all trusting the places we fall asleep. What if you weren’t safe? How would you know it. The brand of psycho in this film knows all your comings and goings and he is a bit like Santa in that he knows when you are sleeping, he knows when you’re awake. Of course, this IS a horror film so there won’t be any presents brought by this guy. It’s a stalker film tried and true and quite scary at times when it’s not being creepy building suspense.

Sleep Tight (2011)
Mientras duermes (original title)
Not Rated | 1h 42min | Drama, Horror, Thriller | 14 October 2011 (Spain)

You wake day after day to the comfort and security of your home. But how safe is it really?
Director: Jaume Balagueró
Writer: Alberto Marini (screenplay)
Stars: Luis Tosar, Marta Etura, Alberto San Juan

I recall a sick twist like this in “The Gift” 2015. Since “Sleep Tight” is from 2011, I have to wonder somewhat if Edgerton did some borrowing there. “Mientras Duermes” is the original title and Spain style Spanish is spoken.

The deaths in this film are heinous. Especially the boyfriend of the main actress. As she suffers from the villain putting poison in her toothbrush and other toiletries, her boyfriend gets it worse … well until the final scene. 

This is a solid horror film from the “psychotic individual stalker” type. It’s creepy and scary but also fun and exciting if you like this genre. Remember, you need to be subtitles enabled to watch in English. If you speak Spanish, you’re good to go. 8/10

It’s great when you see a sequel with your favorite character doing more of what you loved the first time. Due to mediocre writing and an attempt to be flash over story, this film quickly veers away from the first film. All is not lost though, the visuals are indeed amazing and enjoyable.

One reason this film might have appeared out there and disjointed was because there are two directors. I really don’t see that much. It could be like having 2 kings or 2 cooks on one stove. Like they say, “too many cooks spoil the broth.”

Vannelope and Ralph have a complicated friendship. In a way, it appears to go beyond friendship and at the same time, he has a unselfish affection for her that allows him to not be possessive and let go. It’s probably out of place for me to compare their characters to romantic lovers because they act like young kids. Still, the promos with all the Disney princesses along with that scene in the film allude to a woman’s success in life owing to a man. It’s sort of #metoo and sort of not. I didn’t like the foggy lines of their relationship. I wish it were more clearly defined. It made the story uncomfortable at times and I forgot I was supposed to be having childlike fun. But there is still lots to enjoy in this film.

The visuals in this film come at you non-stop. I had a feeling about the visuals like I did when I saw “Trolls” for the first time. It was all inventive technology with a human element. In other words, it wasn’t just like a strobe in your face. There are so many amazing visuals but probably my absolute favorite was at the end when all the little Ralphs form on monstrous one. That most have taken tons of code and animation science to pull off.

To close, this sequel is highly visual and very exciting. The story and it’s character dynamics are very flawed in my opinion. I really felt they though the visuals were enough and so they skimped on story. It is rather good though and I would recommend you take your kids to it. It is nowhere near the masterpiece of the original “Wreck it Ralph” and that was a let down. 6/10

Discussion Questions:

1. Has the “world” changed from the first film? How does it look the same and/or different?
2. What visuals stand out in your memory?
3. Do you think it’s possible to break the internet? Why or why not?

 

This is a bunch o’ films in a podcast. I review Alpha, Behind the Mask: The Rise of Leslie Vernon, 247F, Boiler Room, The Exorcist 3, Megan Leavey, Baskin, The Return of the Living Dead, Mercy, Crazy Rich Asians. I rather like this format. Special mention goes to: “Behind the Mask: The Rise of Leslie Vernon” a must see for horror/slasher fans. I Hope you enjoy all the movies.

This episode first appeared at The DRP.

Alpha, Behind the Mask: The Rise of Leslie Vernon, 247F, Boiler Room, The Exorcist 3, Megan Leavey, Baskin, The Return of the Living Dead, Mercy, Crazy Rich Asians

Alpha
1. Alpha (2018)
PG-13 | 1 hr 36 min | Adventure, Drama, Family 8

Rated on 04 Dec 2018

In the prehistoric past, a young man struggles to return home after being separated from his tribe during a buffalo hunt. He finds a similarly lost wolf companion and starts a friendship that would change humanity.

Director: Albert Hughes | Stars: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Marcin Kowalczyk, Jens Hultén

Votes: 26,416Watch Now
From $4.99 (SD) on Prime Video

Behind the Mask: The Rise of Leslie Vernon
2. Behind the Mask: The Rise of Leslie Vernon(2006)
R | 1 hr 32 min | Comedy, Horror, Thriller 8

Rated on 04 Dec 2018

The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo.

Director: Scott Glosserman | Stars: Nathan Baesel, Angela Goethals, Zelda Rubinstein, Robert Englund

Votes: 19,378Watch Now
With Prime Video + 1 more

247°F
3. 247°F (2011)
R | 1 hr 28 min | Horror, Thriller 6

Rated on 04 Dec 2018

Four friends travel to a lakeside cabin for a carefree weekend, the fun turns into a nightmare when 3 of them end up locked in a hot sauna. Every minute counts and every degree matters as they fight for their lives in the heat up to 247°F.

Directors: Levan Bakhia, Beka Jguburia | Stars: Scout Taylor-Compton,Christina Ulloa, Travis Van Winkle, Michael Copon

Votes: 4,909Watch Now
From $3.99 (HD) on Prime Video

Boiler Room
4. Boiler Room (2000)
R | 2 hr | Crime, Drama, Thriller 10

Rated on 04 Dec 2018

A college dropout, attempting to win back his father’s high standards he gets a job as a broker for a suburban investment firm, which puts him on the fast track to success, but the job might not be as legitimate as it once appeared to be.

Director: Ben Younger | Stars: Giovanni Ribisi, Vin Diesel, Nia Long, Nicky Katt

Votes: 45,685Watch Now
From $9.99 (SD) on Prime Video

The Exorcist III
5. The Exorcist III (1990)
R | 1 hr 50 min | Drama, Horror, Mystery 9

Rated on 04 Dec 2018

A police Lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased Gemini serial killer, leads him to question the patients of a psychiatric ward.

Director: William Peter Blatty | Stars: George C. Scott, Ed Flanders, Brad Dourif, Jason Miller

Votes: 21,202Watch Now
With Prime Video + 1 more

Megan Leavey
6. Megan Leavey (2017)
PG-13 | 1 hr 56 min | Biography, Drama, War 8

Rated on 04 Dec 2018

Based on the true life story of a young Marine corporal whose unique discipline and bond with her military combat dog saved many lives during their deployment in Iraq.

Director: Gabriela Cowperthwaite | Stars: Kate Mara, Ramon Rodriguez, Tom Felton, Bradley Whitford

Votes: 17,613Watch Now
With Prime Video + 1 more

Baskin
7. Baskin (2015)
Not Rated | 1 hr 37 min | Fantasy, Horror 7

Rated on 04 Dec 2018

A squad of unsuspecting cops go through a trapdoor to Hell when they stumble upon a Black Mass in an abandoned building.

Director: Can Evrenol | Stars: Mehmet Cerrahoglu, Görkem Kasal, Ergun Kuyucu, Muharrem Bayrak

Votes: 6,925Watch Now
From $3.99 (SD) on Prime Video

The Return of the Living Dead
8. The Return of the Living Dead (1985)
R | 1 hr 31 min | Comedy, Horror, Sci-Fi 8

Rated on 04 Dec 2018

When two bumbling employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to rise again as zombies.

Director: Dan O’Bannon | Stars: Clu Gulager, James Karen, Don Calfa, Thom Mathews

Votes: 47,186Watch Now
With Prime Video

Mercy
9. Mercy (I) (2014)
R | 1 hr 19 min | Horror, Thriller 7

Rated on 04 Dec 2018

A single mom and her two boys help take care of their grandmother with mystical powers.

Director: Peter Cornwell | Stars: Frances O’Connor, Shirley Knight, Chandler Riggs, Joel Courtney

Votes: 4,389Watch Now
From $2.99 (SD) on Prime Video

Crazy Rich Asians
10. Crazy Rich Asians (2018)
PG-13 | 2 hr | Comedy, Romance 9

Rated on 04 Dec 2018

This contemporary romantic comedy, based on a global bestseller, follows native New Yorker Rachel Chu to Singapore to meet her boyfriend’s family.

Director: Jon M. Chu | Stars: Constance Wu, Henry Golding, Michelle Yeoh,Gemma Chan

Votes: 50,471Watch Now
From $5.99 (SD) on Prime Video

This film is often listed as a “must-watch” classic. For many years I have been intrigued by it but only now have I take the time to watch. I can tell you it has great cinematic moments and indeed every film lover should see it. At the same time, it has some slow segments that a modern audience may find dull. The final 1/3 is very exciting though and certainly wort the wait.

Our director is John Frankenheimer. He is known for many classic and modern films before his passing in 2002. I recognized “Ronin” on is list which is one of my favorite action films. It took a skilled and visionary director to make “The Manchurian Candidate.” There are two stories running side by side and yet the overall plot must be told with subtlety and care.

Since the story is about a brainwashed puppet being used by forces hostile to the USA, the subject matter is close to home for an American. Still, it’s easy to see how this sort of thing could be happening behind our back without us knowing it. The acting is incredible along with the writing making this a definite must see for movie fans and/or fans of the actors.  The fight scenes unfortunate make me laugh. This is ironic since Frank Sinatra considered it some of his best acting ever.  It is in fact dated in its pace and some of the effects look fake. It was avoided by many audiences for some time after its release due to the political public response to the film. 7/10.

Before I start this review, I want to tell you I am a huge fan of Irrfan Khan. I would pay to hear him read Google searches. Having said that, I really liked this film, maybe not for what it is but for what it tried to be and almost achieved. Despite the shortcomings, this was a highly enjoyable watch (and listen).

Marc Turtletaub is the director. He is known for Little Miss Sunshine (2006), Loving (2016) and Safety Not Guaranteed (2012). Wow. I’ll leave that there.

This film has a definite indy feel to it though it has that huge name from “Life of Pi.” It’s a film that shows the ascent of an invisible housewife into someone who stands up for herself. She is able to do this through the world of puzzle competitions. In truth, the context is that she learns from a handesome mentor and therein some conflict lies. This film reminds me of how many women can get stuck in dead ends. I’l close with my ration 9/10 and then the closing lines of John Steinbeck’s short story “The Chrysanthemums” that I have always found quite moving.

“Do any women ever go to the fights?” she asked.

“Oh, sure, some. What’s the matter, Elisa? Do you want to go? I don’t think you’d like it, but I’ll take you if you really want to go.”

She relaxed limply in the seat. “Oh, no. No. I don’t want to go. I’m sure I don’t.” Her face was turned away from him. “It will be enough if we can have wine. It will be plenty.” She turned up her coat collar so he could not see that she was crying weakly—like an old woman.

The Citadel tower stands ominously in the distance as the director tightens the screw against it. The hero begins to see it is the enemy. A renegade priest helps his see it and devises a plan in which they both can take down the Citadel by fire. It’s a good plan but lest I forget, there are hooded juveniles that rely on it for shelter and they will protect it.

We’ve heard the catch phrase in horror so often: “Don’t show fear it likes that.” What this guy has gone through is more awful than anything we can imagine and yet he is able to right these hooded figures without fear. I had some issues with the characters and the portrayal of life around the Citadel. Where are the other people? This is a dark film with some mild scares. Overall, due to a flawed priest character and implausible writing it lost some points with me. 6/10.

A bunch of prep school kids left to kill each other on a deserted Island. Hunger Games anyone? I have read that Quentin Tarantino wanted the lead from this show to star in “Kill Bill” because he loved this film so much. I wouldn’t call it a “Gore Fest” as some have. After all, gore is when what’s in the body is taken out and shown. This is a blood fest for sure though. The director is also very good at building suspense through music and sound effects (like the collar beeps).

Action killing is something we like in America. That’s probably why this scores so high on the democratic user score at IMDB. I found it exciting and cathartic. There will be those who will be turned off by the violence but it’s a deeper message they miss. The “teacher” seems to have no compassion in him. One might compare him to Stanley Tucci’s character in “The Hunger Games.” It’s not as much about the government but more about the risk of losing ones compassion for others. I think the teacher character may have done that. This is a fun watch but a bloody mess so be forewarned. I quite enjoyed it, 8/10.

Feel free to listen to my podcast with reviews of 4 popular films: Bohemian Rhapsody, Candyman, Beautiful Boy, & Widows.

This post appeared first at my Podcast thedrpodcast.com

Transcript/Text below can be read easier at rileyonfilm.com

Bohemian Rhapsody
As far as realism goes, Brian May looks like himself. No other cast member resembles their character, especially not Rami Malik who plays Freddie Mercury. Besides that, when he talks he doesn’t sound like him. Rami is making a different voice but it isn’t the singer fans know of. But I’m only touching the tip of the iceberg, on several levels this film is a sellout mess.

MV5BNDg2NjIxMDUyNF5BMl5BanBnXkFtZTgwMzEzNTE1NTM@._V1_SY1000_CR0,0,629,1000_AL_
Bohemian Rhapsody (2018) PG-13 | 2h 14min | Biography, Drama, Music | 2 November 2018 (USA) Bohemian Rhapsody Poster A chronicle of the years leading up to Queen’s legendary appearance at the Live Aid (1985) concert. Director: Bryan Singer Writers: Anthony McCarten (story by), Peter Morgan (story by) | 1 more credit » Stars: Rami Malek, Lucy Boynton, Gwilym Lee
The real McCoy:

Malik’s Mess (ignore the music, he lip syncs the original Queen):

Directing an Xmen movie apparently does not prepare you to do an effective biopic of a rock band. This film is proof that our director Bryan Singer lost his vision for this film.

The writing is fragmented at times. Suddenly the setting will change and there is no development as to why. It could have been a great time to show how they write but it didn’t happen. We are reduced to “Can you go higher?” as the genius for recording a signature part of BR.

Anyone who’s written or recorded will tell you it wouldn’t be said that way. Words like “play the middle note,” “the 3rd or the 5th” or “octave” would be used. As such they are insulting a trained musician and reducing him to an episode of “Wayne’s World.”

My understanding of Mercury’s marriage and his “endless” amount of lovers would not be portrayed this way. They should have shown what he was doing and the dark side he had. This is relevant! The songs were not new takes by new players, instead they were carbon copy stamps that appranetly 3 voices were spliced together in to sound more like Malik. Well, they don’t.

Two hours was way too long for my daughter and I. We left for home 45 minutes early. I cannot recommend this movie though I have respect for all opinions about it. This is nothing less that derivative, unsoulful cash grabbing. Hopefully someday we’ll get a good telling by a brave director, even a tv special of what Queen were really all about. 2/10.

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POSTED ONNOVEMBER 24, 2018EDIT “CANDYMAN”
Candyman
Candyman is a throwback 90’s horror, mystery, thriller written by the horror master Clive Barker. I’ve heard recently that producer Jordan Peele bought the rights to do a remake. We’ll have to see how good that project goes.

Candyman (1992)
R | 1h 39min | Horror, Thriller | 16 October 1992 (USA)
The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster’s myth.
Director: Bernard Rose
Writers: Clive Barker (based on “The Forbidden” by), Bernard Rose
Stars: Virginia Madsen, Xander Berkeley, Tony Todd
The legend here is that the son of a slave, having been mistreated and disfigured by his father has become a killer, immortalized in urban legend as “The Candyman.” The story is great, the kills are repulsive … everything I like in a horror movie. The creepiness is not really present but the soundtrack works like a calliope to give it just a bit of that.

Helen Lyle, played by Virginia Mardsen, does a foxy job chasing an urban legend. Being early in her career in 1992, it makes sense the director got her to reveal so much. It seems once they get really famous (as in the X-Files level) studios have to offer much more in the contract. Anyway, she’s a beautiful actress less skin or more. In this case, there happens to be more. She is researching “The Candyman” urban legend that states if a person looks in the mirror chanting “Candyman” 5 times, she/he will be slaughtered with a hook

Helen discovers that the Candyman sees her as a reincarnation of a past lover. This leads to a very satisfying closing act. The ffects are cheap looking and the kills are often not believable. Still, I found this film amazing and I look forward to the upcoming remake. 8/10.

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POSTED ONNOVEMBER 22, 2018EDIT “BEAUTIFUL BOY”
Beautiful Boy
A smartly made drama biopic about a father and son who face the son’s addiction. David Sheff wrote a memoir in 2008 of the same name. Nick Sheff wrote his too called “Tweak.” I was skeptical about this film at first. Luckily my daughter asked me to take her and it is now one of my favorite films of 2018.

Beautiful Boy (2018) R | 2h | Biography , Drama | 25 October 2018 (Israel) Beautiful Boy Poster Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years. Director: Felix van Groeningen Writers: Luke Davies (screenplay by), Felix van Groeningen (screenplay by) | 2 more credits » Stars: Steve Carell, Timothée Chalamet, Maura Tierney
Our director here is Felix van Groeningen, from Belgium. I haven’t seen any of his films besides this one however I have since put The Broken Circle Breakdown on my watchlist. Here’s the description:

Elise and Didier fall in love at first sight, in spite of their differences. He talks, she listens. He’s a romantic atheist, she’s a religious realist. When their daughter becomes seriously ill, their love is put on trial. IMDB

But back to Beautiful Boy: It almost seems more of a dry documentary than a film at first. It jumps around in time but not so much that it is confusing. The director paints a picture of a father and son relationship and how it burns due to the son’s addiction. He has the most problem with crystal meth but they say he has tried just about everything.

It’s about the father’s journey to understand addiction and the son’s journey to just be clean. That may not sound warm and touching but it really is. The director does a great job of showing how after a time we as parents are enablers if we continue to support our addict children.

The film is a true story based on the memoirs of the father and the son. I don’t think a film has ever been made that way before. It includes some of the best acting I’ve seen in a long time, certainly this year. I’m sad it is in limited release. This film would reach so may people in a wide one. 10/10.

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POSTED ONNOVEMBER 17, 2018EDIT “WIDOWS”
Widows
I went to see this film against my initial reactions to it. Metacritic and podcasters that up to now I truly respected were gushing over it with tweets like “SEE THIS FILM.” I won’t get fooled again. It was awful. Steve McQueen needs to take a step back after this one.

I understand that heist movies often contain a nuts and bolts planning section of the film. That’s why I tolerated the first 1/2 of this slow, uneventful film. I expected it to pick up the pace immensely, it didn’t. That isn’t my main gripe with this film.

Widows (2018)
R | 2h 9min | Crime , Drama , Romance | 16 November 2018 (USA)
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands’ criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
Director: Steve McQueen
Writers: Gillian Flynn (screenplay by), Steve McQueen (screenplay by) | 1 more credit »
Stars: Viola Davis, Michelle Rodriguez, Elizabeth Debicki
There are side stories everywhere in this movie. It seems that they are there as some sort of puzzle to be assembled later. In my opinion, they are discordant and do not serve the plot at all. This film tries to be like recent films where women are empowered against men who cheat and use them. It’s also tapping into racial inequality even though it is not an all black cast.

I just waited and waited for the heist and when it appeared it was muddled and sloppy. There were some cool camera angles and tricks but that is way less than this film was touted as. I think some podcasters I read on my Twitter have been floated gifts by the film studio. There is no explanation for these glowing reviews. I’ve never checked the time so much in a film. I wanted OUT quickly. This is not a good film. 2/10

As far as realism goes, Brian May looks like himself. No other cast member resembles their character, especially not Rami Malik who plays Freddie Mercury. Besides that, when he talks he doesn’t sound like him. Rami is making a different voice but it isn’t the singer fans know of. But I’m only touching the tip of the iceberg, on several levels this film is a sellout mess.

The real McCoy:

Malik’s Mess (ignore the music, he lip syncs the original Queen):

Directing an Xmen movie apparently does not prepare you to do an effective biopic of a rock band. This film is proof that our director Bryan Singer lost his vision for this film.

The writing is fragmented at times. Suddenly the setting will change and there is no development as to why. It could have been a great time to show how they write but it didn’t happen. We are reduced to “Can you go higher?” as the genius for recording a signature part of BR.

Anyone who’s written or recorded will tell you it wouldn’t be said that way. Words like “play the middle note,” “the 3rd or the 5th” or “octave” would be used. As such they are insulting a trained musician and reducing him to an episode of “Wayne’s World.”

My understanding of Mercury’s marriage and his “endless” amount of lovers would not be portrayed this way. They should have shown what he was doing and the dark side he had. This is relevant! The songs were not new takes by new players, instead they were carbon copy stamps that appranetly 3 voices were spliced together in to sound more like Malik. Well, they don’t.

Two hours was way too long for my daughter and I. We left for home 45 minutes early. I cannot recommend this movie though I have respect for all opinions about it. This is nothing less that derivative, unsoulful cash grabbing. Hopefully someday we’ll get a good telling by a brave director, even a tv special of what Queen were really all about. 2/10.

Candyman is a throwback 90’s horror, mystery, thriller written by the horror master Clive Barker. I’ve heard recently that producer Jordan Peele bought the rights to do a remake. We’ll have to see how good that project goes.

The legend here is that the son of a slave, having been mistreated and disfigured by his father has become a killer, immortalized in urban legend as “The Candyman.” The story is great, the kills are repulsive … everything I like in a horror movie. The creepiness is not really present but the soundtrack works like a calliope to give it just a bit of that.

Helen Lyle, played by Virginia Mardsen, does a foxy job chasing an urban legend. Being early in her career in 1992, it makes sense the director got her to reveal so much.  It seems once they get really famous (as in the X-Files level) studios have to offer much more in the contract. Anyway, she’s a beautiful actress less skin or more. In this case, there happens to be more. She is researching “The Candyman” urban legend that states if a person looks in the mirror chanting “Candyman” 5 times, she/he will be slaughtered with a hook

Helen discovers that the Candyman sees her as a reincarnation of a past lover. This leads to a very satisfying closing act. The ffects are cheap looking and the kills are often not believable. Still, I found this film amazing and I look forward to the upcoming remake. 8/10.