Berlin Syndrome

Some crimes are incomprehensible and the audience suspends judgement on how they are presented, are they “real” or not, could they “really happen.” I took issue with a few of those scenes but overall this movie scared the hell out of me.

R | 1h 56min | Drama, Horror, Mystery | 26 May 2017 (USA)

A passionate holiday romance leads to an obsessive relationship, when an Australian photojournalist wakes one morning in a Berlin apartment and is unable to leave.
Director: Cate Shortland
Writers: Shaun Grant (screenplay), Melanie Joosten (novel) | 1 more credit »
Stars: Teresa Palmer, Max Riemelt, Matthias Habich

This director has worked a lot in her career. Unfortunately I am unfamiliar with most the titles. It is interesting this film has a female director as it is an abduction story. In other words, we aren’t getting what a guy writer would think it was like but rather a female putting her head inside the script.

The acting is good. I think the fear was not overplayed. At the same time, I found it hard to believe the victim never thought about grabbing something in the apartment to aid her escape. Most abductors tend to put the victim in a plain empty room. This one brought her right into his living space. It could be psychological chains, I get that. Still, it seemed out of place. It started out better than the middle and end where it dragged on and the ending was not satisfying.

6/10

Kill List (2011)

It’s “hurry up and wait” as a shady hit-man and part time family-man weighs his options on a new big payoff job with some unexpected darkness surrounding.

Not Rated | 1h 35min | Crime, Drama, Horror | 2 September 2011 (UK)

Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
Director: Ben Wheatley
Writers: Ben Wheatley, Amy Jump
Stars: Neil Maskell, MyAnna Buring, Harry Simpson

Free Fire and High Rise are two outstanding films by this director, Ben Wheatley. This preceded both and carries a sort of British low-budget charm. Wheatley has made a film for some to identify with in the family relationship present. At the same time, it’s a film we will cringe at because the acts of violence for hire and occultic consequences are unknown to us.

The actors are fine. Nothing extraordinary there and that’s ok because this story is so odd, it sort of awes the watcher all on its own. I did find the pre-job home scenes brutally over-long.

The hit man is hired to kill people on a list. As he does so he realizes there is something much deeper at play. I recently saw “A Dark Song” and enjoyed it quite a bit. The occultic theme is prevalent in this film as well. While I liked the occult aspect in the sense of spookiness, the writing was lacking. I found the beginning scenes dragged on far too long. It took a long time to get to the actual “Kill List.” I can’t recommend this one, though I know many really love it.

5/10

A Girl Walks Home Alone at Night

The black and white appearance belies the mood colors of this sleepy yet powerful vampire tale. It’s an instant classic.

Unrated | 1h 41min | Drama, Horror | 20 April 2015 (USA)

In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
Director: Ana Lily Amirpour
Writer: Ana Lily Amirpour
Stars: Sheila Vand, Arash Marandi, Marshall Manesh

Filmed in Iran where women are not always treated as they should be, this film stands out as a bit of a vengeance piece. Ana Lily Amirpour who also gave us The Bad Batch shines as the director here. The scenes and crops are all amazing choices she had to make while creating this film.

What if that woman with her head covered walking the streets at night was not the victim but a bloodthirsty vampire? Some men are easier to hate than others though and therein lies her predicament. Perhaps not all men are bad? Either way we have enough bad ones in this film to make for some great kill scenes. Having said that, this film is rather tame when it comes to horror. A hiss and showing of the teeth is about as bad as we get with this. The rest of it is hypnotic like being put into a trance. This is trippy and different. I loved this movie.

10/10

Happy Death Day

It’s deja vu all over again. This time it’s a sexy female college student living the day of her death over and over et al.

PG-13 | 1h 36min | Horror, Mystery, Thriller | 13 October 2017 (USA)

A college student relives the day of her murder with both its unexceptional details and terrifying end until she discovers her killer’s identity.
Director: Christopher Landon
Writer: Scott Lobdell
Stars: Jessica Rothe, Israel Broussard, Ruby Modine

The director has already impressed us with some great films. He wrote the Paranormal Activity films and directed Disturbia. Because of that, I won’t be too hard on this latest film because it does not register with me as horror.

It pays homage to Groundhog Day in the final scene. Good thing too because people would have been slamming it if it had not. It is Groundhog Day with a hot blonde and a kill aspect. Thank you you may go home now.

Seriously though, I was entertained until the end when nothing was resolved. You could make an argument things fit but I just didn’t get that Ohhhhhhhh feeling when a mystery comes together. That made me sad because there was a long buildup just to find out … I’ll leave that to the viewers.

Not horror. I kinda felt misled.

5/10

Me and Earl and the Dying Girl

The director of this film has directed “Glee,” “American Horror Story,” and has served as personal assistant to Martin Scorcese, Robert De Niro and Alejandro Gonzalez Inarritu, Director of “Birdman.” He’s clearly been around the block in the movie business. Maybe that’s why “Me and Earl and the Dying Girl” feels so well crafted at the onset. The acoustic music popping in and out of scenes is reminiscent of a thoughtful comedy like “Juno” or a dry comedy like “Year One.” It is a funny movie but the trouble is the subject matter. You just can’t laugh at a funeral. For me, the plot marched like a dirge. After a point, I wanted to laugh but was somehow unable. Can a plot be too dark for comedy? For some movie makers, sometimes. That’s why a director of a comedy working with such dark subject matter has to be very very careful. All the clever jokes in the world can’t fix a train wreck plot.

The plot is rather simple: A high school senior, Greg, played by Thomas Mann (“Beautiful Creatures,”Project X”), spends his time making movie parodies, which incidentally aren’t very interesting, clever, or good, ie; “Sockwork Orange.” The titles and content of these little parodies seem forced and wannabe. He does almost nothing else but this and he’s able to get by in school and get accepted to a fairly prestigious college. A girl his age named Rachel played by Olivia Cooke (“Bates Motel,” “Ouija”) is diagnosed with cancer and his mother makes him go see her. There isn’t much more to reveal about the plot. He has a film friend Earl played by RJ Cyler, virtually without acting credits, who offers street wisdom to Greg and Rachel throughout the film. I won’t reveal where it goes from there but suffice it to say, it get laborious about halfway through and never recovers.

Dry humor works for actors like Michael Cera and Thomas Mann is no Cera. He smirks far too much to appear deadpan serious. I don’t blame the actor entirely, the script is not comfortable in its element. Some of his jokes are funny but many are not. One running gag is the fact that he eyes pillows for their masturbation object potential. Ok, we got it the first 3 non-subtle times. We can laugh at the story to a point but after that, what can possibly be funny? I found the characters as disingenuous as the script.

While I’m letting the film have it: How can Earl be so street savvy and understanding of life and death at 18? I found his character unnaturally wise for his age. He goes from “Are you gonna play with her titties?” to sage-like aphorisms about life and death. Because the first half of the movie made me laugh and I could follow it to a point, I gave it three stars. It lost two stars due to poor characterization, script writing, and casting. It could have been a lot better. When I give a movie 3/5 it’s pretty good, you may enjoy it. For me? I could have stopped watching half way through and walked away happier with the film.

3 and a half stars

Demon

If you’re going to watch this, please know it’s one long wedding. I mean that literally, it’s a horror movie at a long wedding.

R | 1h 34min | Comedy, Horror, Thriller | 9 September 2016 (USA)

A bridegroom is possessed by an unquiet spirit in the midst of his own wedding celebration, in this clever take on the Jewish legend of the dybbuk.
Director: Marcin Wrona
Writers: Pawel Maslona, Marcin Wrona
Stars: Itay Tiran, Agnieszka Zulewska, Andrzej Grabowski

This director has done a cool, traditional thing here. He took a polish legend and made the story into a modern day telling. Some of the scariest stuff out there is in folklore and legend. Just like La Llorona in Mexico, this demon is ruthless and relentless. She’s not one to be trifled with.

I like the director’s work here but I do think more “scary stuff” would have improved this horror film. There are some great minimal scares and they run deep. For example, at the point when the doctor needs a syringe to calm the patient, he calls for the syringe and the had of the demon reaches from under the bed. That was chilling. But I think the film was lacking very much in scares so that’s why I sort of tuned out.

The actors are all foreign and the lead was pretty good but overall the acting was just average for me. Maybe because I despise weddings I don’t know, but I didn’t really like this film much. There isn’t much horror as advertised. It’s a great recycled folklore legend and the screenplay is written fairly well. I don’t see any reason for you to see it though, unless the legend excites you.

5/10

They Look Like People

Will he or won’t he use all those axes and the nail gun? Are his friends really monsters? Is Wyatt schizophrenic?


They Look Like People (2015)
Unrated | 1h 20min | Drama, Horror, Mystery | 26 February 2016 (USA)

Suspecting that people around him are turning into evil creatures, a troubled man questions whether to protect his only friend from an impending war, or from himself.
Director: Perry Blackshear
Writer: Perry Blackshear
Stars: MacLeod Andrews, Evan Dumouchel, Margaret Ying Drake

It’s a film I tell you! Much more than a film school project, which it resembles most the way through. I’ve read this film referred to as “DIY horror.” I’m not sure what it is exactly but it definitely has something to say about psychology and the human mind.

Watch this if you enjoy thinking about what is real sometimes and what is not. Go see if you’ve ever realized you were being paranoid only to find out later some of that paranoia was real. It’s some really heavy shot I tell you. Now be forewarned, I couldn’t find a budget for this thing online but I would wager to say it was made for only hundreds of dollars. For that reason, some may find it hard to sit through. Ok, I’ll say: it it was boring at slow a lot of times. Still, it was streaming on Amazon Prime Video so I didn’t have to fork out extra cash for it and I sat through it just fine. The who movie payoff is the ending, the last 15 minutes hit you like 13 foot wave.

Simple story, ok acting. Christian wasn’t really believable for me the way he was always laughing. Wyatt makes a good psycho, or is he a psycho at all? You tell me. For what it is it works. Not for everyone by a long shot. It has to lose some from me because I like when directors attempt a bit broader appeal. And finally, to director Perry Blackshear I say: well done, we shall look for more psychotic minimalism from you.

7/10

The Bad Batch

I liked the way this one got right to the violence. It adds to the story and makes the film a powerful piece.

R | 1h 58min | Drama, Horror, Romance | 23 June 2017 (USA)

A love story set in a community of cannibals in a future dystopia. In a desert wasteland in Texas, a muscled cannibal breaks one important rule: don’t play with your food.
Director: Ana Lily Amirpour
Writer: Ana Lily Amirpour
Stars: Suki Waterhouse, Jason Momoa, Jayda Fink

The avant garde director here is Ana Lily Amirpour. You may have seen A Girl Walks Home at Night which was also her. She takes risks and causes the viewer to go on a journey. This is always a great thing for a director to do. This film is not made according to norms. It’s a film that breaks just about every rule for a movie of its subject and type. Amirpour has achieved much with this film. It’s worth seeing and I recommend it wholeheartedly to you. Last I looked it was streaming on Netflix, if you have that.

The acting caliber shocked me. This film looked in the ads to be a small scale, risky, violent film but I was wrong. It has the talent on board to do some mainstream damage. I’m speaking of Suki Waterhouse, Jason Momoa, Jayda Fink, and Jim Carrey (yes I said Jim Carrey).

Empowerment films like this are so much fun to watch. I won’t spoil the plot but rather encourage you to see it and then leave me a comment. I’d love to start a dialog on this film there. Some scenes were a little long and felt unnecessary but all of it worked to the over goal of making a brutal place into a love story.

The desert wasteland/apocalypse alone is worth going to see but the story is awesome too.

9/10

American Mary (2012)

American Mary (2013) was body horror unveiled but wasn’t as horror as I’d hoped. Unlike another one, The Human Centipede, American Mary plays down the visible gore and cranks up the revenge motive. There’s a lot going on here including a brief trip into the body modification community. Some may find it tries to be too much. Nonetheless, when looked at as such, it works as a simple horror film that fans of the genre will likely enjoy.

Jen Soska and Sylvia Soska are the directors. They are also identical twins. These two have come out blasting their own breed of horror and shock entertainment. I will be watching for what they come up with in the future. Incidentally, they play twins in the film who have their forearms amputated and switched with the other twin. Odd indeed. Other surgeries featured are a live Betty Boop and Barbie doll.

Mary is played by Katharine Isabelle, well known for the horror trilogy starting with Ginger Snaps. She plays the role way understated but it works since we have no idea what her character might be thinking or feeling in this extraordinary plot.

FINAL THOUGHTS
This film seems to be made for Netflix or another cable provider. It stops just short of commanding a theater presence. Perhaps the directors need more time to develop their “chops” (no pun intended). Still, I think it’s just as good as the Human Centipede and almost as great as Tusk, these two being films in the body horror genre. It’s a great revenge flick and I recommend it to those out there who are into films like these. And finally, to repeat, I will be watching the Soska Sisters’ future directing projects.

6/10

Train to Busan

This is a Zombie train folks! A wild one too. All aboard!

It honestly surprises me that after so many zombie movies have come down the pike we could still love another but that’s what audiences are doing and this reviewer right along with them.

train2busan_poster

Train to Busan
Cast

Yoo Gong, Soo-an Kim, Yu-mi Jeong

Directed by

Sang-ho Yeon

Written by

Sang-ho Yeon

Other Info

Action, Horror, Thriller
Rated PG-13
1h 58min

There are a lot of twists in the story. The director also wrote the movie. It has a take-your-breath-away ending you may or may not expect. Predictions varied in my family. By the way, I watched it with my 9-year-old and she couldn’t leave the room she was glued to the film. This film will appeal to horror and suspense films more than anyone. At the same time, I see a universal appeal in this film. I must warn you, it does have subtitles but they are easy to follow. Moreover, there are long stretches of time where there is no dialog at all. It tells the story through the images.

train6

There are at least a couple more side-stories that make the movie and its characters endearing. You do care about these characters, they are not flat lifeless victims in a horror film. I would recommend this film for older children: 10 and up but parents should use their best judgement.

Like I shared, my 9-year-old loved it but she was clinging to me the whole movie which made it easy for me to explain things. For fans of the genre I highly recommend this film.