#MakeXmasAHorrorFilm The Extended Family Centipede. pic.twitter.com/NSYZvbFAUv
— Riley on Film (@rileyonfilm) December 22, 2017
#MakeXmasAHorrorFilm The Extended Family Centipede. pic.twitter.com/NSYZvbFAUv
— Riley on Film (@rileyonfilm) December 22, 2017
The Skin I Live In – https://t.co/urADMi1cQI Ok so I watched this. It is NOT horror in the general sense. It is horror when you think about something. Still, even at that point it lacks the macabre to be interesting to this horror fan. 5/10
— Riley on Film (@rileyonfilm) December 20, 2017
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This Christmas horror is better than it seems and evolves to be more than you’d expect.
This director, Chris Peckover, has only one other film on record and it’s called “Undocumented.” In this case the quality of his film is in paradox to his small resume. If this film is any indicator of his ability, we should watch his future work closely.
The acting is also quite good. The lead is frightening and innocent at the same time. You might see some nods to Home Alone here if you look for them but I felt this film was full fledged horror.
If these aspects sound good to you, check it out!
Better Watch Out (2016)
R | 89 min | Horror, Thriller
On a quiet suburban street, a babysitter must defend a twelve-year-old boy from intruders, only to discover it’s far from a normal home invasion.
Nine Lives is a Disney-like film that reminded me a bit of Beverly Hills Chihuahua. Since I review movies quite a bit, I pay attention to the critics. Since they were not kind to this film, I let it leave theaters. My 9-year-old daughter asked me to watch it with her tonight and I was amazed at how funny and well-made it was. This is another reminder to not trust the critics.
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The cat they got to play in this film is great. He’s very fluffy which makes you want to hug him. Unfortunately, I could never have a cat that hairy because it sheds and makes my nose itch. But this cat does great on the screen. I had feared there wouldn’t be enough cat stuff for my daughter after reading the premise of the film. I’m happy to say there is enough cat-on-screen time to satisfy the kids’ curiosity.
Christopher Walken is great in this, though he plays nearly the same role as he plays in Adam Sandler’s Click. There are a couple of scenes where he says things that are downright spooky. They aren’t spooky like a horror movie but rather like Goosebumps spooky. Jennifer Gardner is beautiful and does a great job as the wife and mom. Kevin Spacey is hilarious as a “Trump-like” business mogul who doesn’t spend enough time with his family.
After demonstrating to the audience he is an egomaniacal workaholic, Kevin Spacey’s character stops by a creepy cat store in a last-ditch effort to buy his daughter a cat for her birthday. The shop owner, Walken, puts a mystical spell on Spacey that later switches him into the cat’s body and vice versa. Through a course of events, the family and Spacey learn about themselves and it’s a hilarious ride as they go.
This is not a perfect film by any means. The jokes are all canned and it needs cat jokes and cat images often to keep it palatable. My 9-year-old laughed all the way through so that says a lot for its appeal to young kids. I thought it was cute and it gave me a chance to laugh with my daughter and enjoy some funny cat scenes. They indeed are the best part of the film. I recommend this one for parents to see with their 5-12 year olds as a light bonding movie where everyone can relax and have a laugh. I think the critics were way too hard on this one.
A small village is the setting for this terrifying horror movie from South Korea.
Kill Bill Vol. 1 and 2 are borderline spoof films based on the Karate, Kung Fu, and Samurai films of the 50’s, 60’s. and 70’s. If you’ve seen these two films, you ay enjoy listening along as I give my reactions. If you haven’t seen them, I don’t reveal too man spoilers but I encourage my listeners to see the films I cover and then tune in after to compare notes with me.
In my next episode (68), I am watching and commenting on the film “American Splendor” with Paul Giamatti. I hope you can watch this along with me before the next show and tune in to compare notes. It has an 81/100 score on Metacritic. Enjoy your day.
At well over two hours, it plays with its viewers and weaves clues to a mystery revealed brilliantly in the final scenes.
Not Rated | 2h 36min | Fantasy, Horror, Mystery | 3 June 2016 (USA)
A stranger arrives in a little village and soon after a mysterious sickness starts spreading. A policeman is drawn into the incident and is forced to solve the mystery in order to save his daughter.
Director: Hong-jin Na
Writer: Hong-jin Na
Stars: Jun Kunimura, Jung-min Hwang, Do-won Kwak
Another Korean film from the same year, Train to Busan, offered us a father/daughter relationship that touched our hearts. Both are slightly different in their journeys and plot but it is a powerful force of fatherly love that bonds these men together with their little sweethearts. The evil force that threatens the policeman’s daughter here is shifty and hard to understand. It takes the father on a quest of love that promises to harm his physical body and perhaps his soul. Will his daughter be saved? That’s the question that keeps coming up.
The policeman is the star of this film. There are a few scenes with his that are definitely Oscar worthy. In a horror film you sometimes need a voice of reason to identify with. But what about when that voice you’re following starts losing touch with reality? That can be a scary thing.
Then, there is this evil force. Who is it? A ghost as the shaman says? This film is not just horror but also a mystery to be guessed at which, if you like mysteries as I do, makes it a lot of fun. This mysterious, sleepy horror mystery tale should not be spoiled. If you have not seen it and these themes interest you, I encourage you to watch it. If you have seen it, I think you’ll agree it is one of the more powerful horrors of its year (2016). I hope to connect further through a podcast outlining my thoughts on this film. Stay tuned.
10/10
A thriller with multiple levels of bad guys
The writer of “Saw IV” and V directed this one and it is similarly a work of greatness. It doesn’t have a the budget or acting power of a Saw sequel but it evens out to be an amazing home invasion thriller/horror. I highly enjoyed it.
You get to see the morality of a person tested, in a way like “Saw.” Any artist who works on such a powerful franchise as “Saw” is bound to carry over some stuff. Don’t go into it expecting that because it’s very different but the quality of film-making is on par with that and the horror conventions the collector has assembled in this home invasion film beg a comparison.
I recommend this film most for the thriller aspect, though the horror is right there all the way through. I enjoy watching good vs. evil on screen, especially when the writer/director teases the audience with who is the most moral and does it ever change in the movie. With better acting and more of a high tech look, I’d have given this thriller a 10/10. It is still an awesome film that I recommend.
7/10
This independent horror thriller crocodile film scared audience in theaters about a decade ago. It was your basic “gigantic animal terrorizes a small eccentric group” film, like Jaws. It’s great entertainment but does it compete with other successful movies like it?
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The protagonist is a travel writer who has never done more than a review in print. He’s on a wildlife boat tour with less than 20 others and they end up marooned being forced off their boat and out of the water by a huge crocodile.
The story consists of these people trying strategies to escape the crocodile with some having deadly results. This croc is big and he’s fast. For an independent film, the cgi is pretty effective. His body slithers and strikes deftly. He does “the death spin” when he gets a person on his jaws and that is terrifying.
This is a fun thriller. It has a list of well-known characters and the script if pretty good. It builds suspense with the help of a dramatic score and appears to have been filmed on location in Australia. As in most horror, the victims all have flaws and come from different levels of society. The monster, in this case a croc, is the great equalizer that cuts everyone down to size regardless of income or station. For fans of the horror/thriller genre, I definitely recommend this, it’s a lot of fun.
The best horror movies start with a creepy fear or thought like splinters in your fingers. From tat the director pushes it out far enough to scare people and get a response. Splinter is all that, a truly great horror flick in my opinion.
R | 1h 22min | Horror, Sci-Fi, Thriller | 3 April 2009 (Turkey)
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still-living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
Director: Toby Wilkins
Writers: Ian Shorr, Kai Barry
Stars: Shea Whigham, Jill Wagner, Paulo Costanzo
I’ve always been a fan of minimal sets and plot in horror films. This one fits right into that the way it takes place in a gas station. It’s the 7-11, Circle K, all American
Extreme body horror with a good story.
Gore and blood are the hallmark of horror films. In this case, they are definitely present. In fact, this film fits nicely into the category of films that has been emerging in past decades called “body horror.” In truth, it’s one of the best. A movie that visits pain or disfigurement on its characters and makes you think, “I hope that never happens to me,” qualifies as body horror. You can feel, in a sense, what is happening to the protagonist as if it were happening to you.
Yes, we definitely can categorize this as body horror. Through a good part of the beginning in fact, I began to think it was just that but I was so mistaken. There are “people vs. the establishment” themes going on here. There is an empathetic look at suffering, especially of women. There is a supernatural aspect that for me was never really “fleshed out” but certainly got me thinking. I have a word to the wise if you haven’t yet seen this film and plan to: Go in knowing there is a story but let all your expectations fall away. This film attacks victimization and vengeance in an all new way I can guarantee exists nowhere else in horror.
Something should be said about this original film: it’s following remake is nothing like it and should only be seen after the original. Read only non spoiler reviews and the IMDb summary before seeing it. Body horror fans and standard horror fans must see this film, it is glorious.
Elle Fanning, Christina Hendricks, Keanu Reeves
Nicolas Winding Refn
Nicolas Winding Refn
Horror, Thriller
Rated R
118min
L.A. looks like a cut-throat place for the fashion profession in this film. Elle Fanning plays a 16-year-old girl trying to break in by any means necessary. She’s willing to lie on documents about her age and hang out with dangerous people if it means a chance as a famous model. There’s some fake blood here and a startling wildcat that jumps by the window in the dark but neither of those things constitutes horror. You may be shocked by the ending but I doubt many would consider that a “scare” either. It’s more disgusting than scary. I’ll acknowledge right here that there may be intended metaphors and alternative interpretation going on here. I’ve chosen to not look into that. Mostly for the reason that the film made no attempt to explain it to me.
Keanu Reeves plays the landlord who appears to exploit kids. I thought he did a great job with his voice and movement. It was like he was a different person. That’s a sign of a studied actor. I think Keanu plays the same character again and again but in this one he is unique. So, if you’re a big Keanu fan, this might be worth your time. The celebrity photographer “Jack” is played by Desmond Harrington and he does a pretty decent job looking resolute and creatively twisted. Unfortunately for me, I binge-watched Dexter years ago and I got used to his character there night after night. I kept expecting him to call Jesse “Deb.” Amazon produced this film. I wonder if we’ll see much more of this from them. This film was a basic let down and bombed at the box office proving that hand over fist. The reviews have been polarized, mine unfortunately is closer to the South.
While this film may not be correctly labeled as horror, it is a neon art-film treat for the rods and cones. I was drawn in early on by the visual artistry of the film. Just when you think you’ve seen the best it has, it brings more. The colors are reminiscent of Tron. I think it’s meant to draw us in that way. The director is a visionary influenced by Kubrick, David Lynch and others who have done similar things with color and space. Unfortunately this story gets caught up in a fashion world and doesn’t explore what’s going on in the head of the protagonist. Beside that, the characters are underdeveloped. Having said that, it’s a pretty simple reason to be ascertained why they do what they do in the end.
It’s nice to see a film with a message against underage modeling and what it can do to women. Unfortunately, there isn’t enough horror here to justify being in the genre. I wonder if I speak for anyone else when I say I don’t care to go into a psychedelic reality of modeling, unless it’s Zoolander (I).
If you have patience and you are really interested in how women can exploit other beautiful women out of jealousy, this may be for you. Or, for those interested in an amazing visual experience (strobes and neons) you too may like it. For everyone else I don’t recommend this one, I was rarely entertained as I watched it and the end was quite disappointing.