- The Head Hunter (2018)
- In the Mouth of Madness (1994)
- 13 Cameras (2015)
- Cult of Chucky (2017)
- Prince of Darkness (1987)
- The Hidden (1987)
- To Catch a Thief (1955)
- The Clinic (2010)
Published first at the DRP film podcast: bit.ly/2MeD3ZB
Published first at the DRP film podcast: bit.ly/2MeD3ZB
I was in a blogathon! Thanks to Drew’s Movie Reviews for including my post on my favorite classic “A Christmas Story.”
From Drew’s site: “Hello, friends!
Welcome to the penultimate day for the sixth annual Christmas in July Blogathon and last day of guest reviews! Up first today is Damien of Riley on Film and The Damien Riley Podcast. Damien reviews a variety of film genres on his site and podcast but as a particular affinity for horror films. Go give his sites a read and podcasts a listen, especially if you like horror movies. While there are several Christmas horror films, for this blogathon, Damien chose to review the comedy classic A Christmas Story.
A Christmas Story – Electric Sex in the Family Room Window
It’s hot outside and I am thrilled to be able to cool off imagining Christmastime for this movie challenge. Whatever time of year it is, I can always get into the spirit of Christmas by rewatching “A Christmas Story” directed by Bob Clark. It has just enough off-color humor to not bore and still accent the nostalgic visuals of a boy and his family humorously living in the 1940’s.
Director Bob Clark was a true visionary. He is ironically also well known for his horror film “Black Christmas.” Clark takes familiar American settings and visits sarcasm upon them. The result is a hilarious film that pulls no punches. A lot of us guys were “Ralphie” at some point, wanting a bee bee gun and asking every Santa on the street we saw for it. Our teacher, our parent, in like fashion all said “You’ll shoot you’re eye out.” Ah the humanity..
Besides having relatable characters like Ralphie, the film has symbols that everyone can identify with. Ralphie’s middle class dad strains after the daily crossword every night in order to win a “Major award.” It ends up being a tawdry and kitsch leg lamp that he emblazons from the window. Ralphie’s narrator calls it “Electric sex in the front window.” This much to the chagrin of Ralphie’s mother who has all the charm of every mother among us combined and then some.
There’s a famous scene here where Flick, Raplhie’s friend, Puts his tongue on a frozen pole on a bet. Most of us can recall similar dares which is why so many people love this movie. We aren’t laughing at Flick, we’re recalling our own childhoods. Bob Clark is truly in touch. We get to know so many characters here: the father, mother, little brother, Flick, the teacher, Scott Farkus, the “bully,” and a few other core ones. Interspersed between tales from Ralph’s youth, we get the traditional trappings of Christmas like Santa and the classic carols. The cinematography is also great, bringing us back to the 40’s.
This is one I’ve seen countless times and I look forward to watching it this year a few times as well. I highly recommend it, I give it a 10/10. Merry Christmas in July.
I am a Guest Author: Damien Riley
Follow my reviews at rileyonfilm.com
Listen to my podcast at thedrpodcast.com
For our holiday party, Damien is inviting the fiery vixen Jessica Chastain.
Excellent invite, Damien! Great to have a fellow redhead at the party.
The final guest entry for this year’s blogathon comes from someone I have worked with many times here on DMR and whom you all should be familiar with.
Until next time, cheers!”
Kyle Mclachlan from Twin Peaks and Desperate Housewives’ fame shows up here at 1987 on the Hollywood timeline. He’s an FBI agent tracking an other-worldly killer with super human abilities. The short version of them is: he can’t be killed.
This is a buddy cop movie and the buddy is Michael Nouri (Flashdance). It also smacks a few times of Men in Black. Put that all together in a vintage 1987 city and you have this highly entertaining action, thriller, cop film. See it! I give it a perfect score.
I had put off watching this film for a long time, years in fact. I figured it was a biopic on Henry Rollins. I couldn’t have been more wrong. It does showcase however his unique tough guy style. This is a great horror film that touches on the idea of immortality, greed, and crime in a marvelous collage.
Rollins plays an interesting character who we never really get the full story on. He’s a loner until he finds out he has a 19 year old daughter. He’s a lousy dad but he can’t ignore her, especially when she is in serious danger. IMDB calls it a horror comedy drama but the comedy is barely perceptible. It works as vengeance horror. I totally enjoyed it. Highly recommended!
Go see this! It’s an indie project that touched the heart and ignites the vengeance reflex. The film is very satisfying. Marcello is a man who tries to do everything right.
He’s a dog groomer by day and sometimes a cocaine dealer. He does what he has to do. Watch and see if you think he has choices. The suspense winds more and more until a final release. I love this film.
Listen here –> bit.ly/2LRjdU9
07/14/2019 What I’ve Been Watching – Dogman, Yesterday. Dog grooming is a tough, thankless job, and so is dealing coke. Speaking of coke, what if the drink never existed, nor the Beatles?
I review 2 movies in this episode: Dogman and Yesterday.
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Non Spoiler Previews of recently theater released films and video most have not seen.
Dog grooming is a tough, thankless job, and so is dealing coke.
Dealing coke wih Daughter there. At least he makes an attept to keep her innocent
He scores for his team players. We never see him takng drugs, their deslings are strictly for economic survival.
He’s a single part time dad.touching scenes with his daughter.
Simone robs mac’s neighbor, The police want marc to turn him in
does the time for Simone.
A good man can be taken fown so easily.
He’s changed after jail
His friends shun him publicly
The bully keeps on keeping on. Is he weak to turn the other cheek?
When must you fight back?
Thid guy spent a year in jail protecting a guy who doesn’t care if he lives or dies
Getsattacked whole taking in dig boarder
Now he’s with his daughter. Scuba diving Is she in danger.
Lovely shot holding his daughter on a boat.
I love how he got Simone to pit himself into the cage.
Lowering bed contraption ingenious
Chokes him to death
Burns the body
Has he gone crazy?
Carries Simone twice his size
Showing the guys in the yard what he’s dome
Miving the body all ariund
In the end, it’s wuiet. Me alone with my hoicrs.
he lead actor in this is definitely boosted by his manager Lily James’ performance. There’s a lot here not to tell about them because it’s fun to see the spoilers come out.
How odd it would be if household names like The Beatles or Coca Cola were suddenly removed in a sort of alternative universe. What if you were the only one who remembered them?
A dead end singer/songwriter find himself in that position. He decides to put the songs out as his ow and it’s quite a ride from there. The Beatles’ songs have the same effect on a 2019 listening public that they did from the 4 lads themselves.
We see a frustrated guy about to go back and be a teacher because he just can’t get people interested in his songs. Lily James plays his manager and lifelong friend. As I said, their chemistry is great and makes this film work at the high level it does.
I had issues with so much Beatles music being played in the film by the cryptic unknown singer. No one will be rushing out to buy his versions as they did with Mamma Mia, Rock of Ages, or Sing Street. Still, it’s not that kind of a movie.
What we have here is a bohemian back-to-my-roots movie where one learns values about fame. In that way, there is a lot of Notting Hill here. Our singer even travels with a childhood friend with verbal diarrhea spouting just as the similar character in Hugh Grant’s flat did.
I guess that’s another gripe I have. It doesn’t try to make any sense. I like Sc-Fi that comes together, this sprawled everywhere, The plot does end well though and it seems the right lesson was learned about love and focus in ones life. I plan to see it again, I recommend it.
Published first at the DRP film podcast: bit.ly/2LRjdU9
This is a lost classic horror dated in the 1990’s. It’s a Stephen King Novel adaptation. Just like Misery, it’s an author’s nightmare. The lead character played by Timothy Hutton, is the famous thriller/horror novelist but he writes under a psuedonym.
Pretty soon we find the alterego pseudonym is actually a real life person. t’s a supernatural turn. This “Dark Half” threatens to destroy our author but as we learned in Misery, authors have weapons all their own. This is a real trip see it.
Throwing a few words out on this one after a second watch. Actually, not a complete watch this time but enough to “see the light” that this is a must watch for trippy psycho horror comedy. Let me know what you think of this film!
Listen here –> bit.ly/2NyhG7P
Ari Aster has given us a second horror film and he calls it “Midsommar.” Did I like it? Eh, not really. Maybe more than Hereditary, his first horror film. The visuals were brighter and the black comedy more prevalent. I’ll call it part of his formula. Let me explain that, he researches horror from the 70’s and transfers the tropes into his new horror films. Hereditary was heavily influenced by Rosemary’s Baby; Midsommar is a very near kin to The Wicker Man.
I guess he’s growing on me. If we were talking about oldies music and someone imitating that sound, I might see that as cool and talented thing to do. Harry Connick Junior imitates Frank Sinatra old blue eyes. Daft Punk sometimes imitate old Disco sounds … this can be a good policy for an artist. In Midsommar we have a definite wink at the Wicker Man and layers that feel like Coachella acid trips by wayward college students. The jury is still out on Ari Aster as horror director. He may become something huger than now. My hope is he will try something new but that might not be what he’s interested in doing. As an artist I say: follow your bliss and for these two initial horrors of this, that bliss is using horror movie tropes and themes from the 70’s. Midsommar’s strengths are its wide open colorful spaces, and the ethereal quality of going to a faroff place. As far as the story? Eh, it’s pretty weak but I think the movie is meant to be a vacation for the senses instead of a thought provoking grid for discussion. It is a dreamy hallucination, and at times it’s very relaxing and enjoyable. Other times it seems to not know where it’s going or what it’s doing. One thing is sure though, it looks amazing and the cultic folk music is very good.
Published first at the DRP film podcast: bit.ly/2NyhG7P
The Duchess is a historically based film based in old royalty. Despite that boring setting, the show plays with the notion of what a woman in that time would sacrifice for her children.
It’s a tearjerker. Most might call it a chick-flick but I avoid that term for its sexual bias. See what characters do then make your conclusion. I recommend it.